Lizzie Borden's filmography explores power, sex work, and systemic control through distinct narratives: Born in Flames (1983) follows radical feminist factions organizing an armed uprising against a flawed socialist government in an alternative New York; Working Girls (1986) strips away Hollywood tropes to show a realistic, day-in-the-life look at the domestic and financial logistics inside a Manhattan brothel; Love Crimes (1992) tracks an undercover prosecutor playing a dangerous psychological game with a photographer who seduces and dominates women; and her Erotique (1994) segment chronicles a phone sex operator balancing artificial vocal intimacy with her real-world relationship.