After a five-year absence, Diogo returns to the urban sprawl of São Paulo, immediately reconnecting with his close college friend André. Both men find themselves deeply infected by a shared "Peter Pan Syndrome," stranded in their early thirties, unable to transition into mature adulthood or achieve their creative dreams of working in cinema. André’s long-term relationship with his girlfriend, Júlia, has completely stagnated into an uninspired, passionless routine, prompting him to compulsively chase external validation by cheating on her with other women. Meanwhile, a driftless Diogo moves back into his parents' house and reignites a volatile, highly clandestine affair with his old flame, Helena, after a college reunion—ignoring the reality that she is already locked into a stable relationship with another man. Operating with a raw, low-budget indie aesthetic, the film follows the messy, overlapping infidelities of a group of urban creatives desperately trying to outrun their creeping emotional maturity.